John Esposito
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Writing For
TwinfiniteLatest Reviews
Hack-and-slash games have come a long way since the early days of gaming, with Devil May Cry serving as a good measuring stick for the genre. Wanted: Dead would've worked fifteen years ago, but even then, it would've been hard-pressed for this project to find a footing in that era as the demon-slaying saga served up a better product in every single way. Wanted: Dead tries to rekindle that flame of passion for gaming's earliest titles, and while it might resonate with some who unconditionally loved this era of gaming, the final product is very unsatisfying and a reminder of why going back in time is a double-edged sword.
High on Life is quite the product; if you love Rick and Morty, you'll enjoy this game, no questions asked. The humor is a one-to-one replica of those 20 minutes you'd get by watching any episode, highlighted by the same style of humor, and Justin Roiland masterfully delivering his signature Morty albeit in a different surrounding. The gameplay is a solid take on the Metroidvania formula, boasted by the Gatlians and their multipurpose abilities. However, playing the game is a bit of a slog, which is where not being familiar with Rick and Morty will hurt your playthrough as you listen to the same jokes and awkward deliveries for 10 hours.
What makes Kena stand out is how the game presents itself from an artistic design and the feeling you get from experiencing the game's story filled with trauma and loss. It's hard to describe, but this is the definition of art itself, and the fact that it came from a first-time studio is mind-blowing.