BusterSwordBoy
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Final WeaponLatest Reviews
Wanted: Dead is as befuddling as it is bloody. Players will find the plot of Soliel's slasher/shooter hybrid varying levels of coherent depending on their interpretation. What's undeniable is the fun to be had in its streamlined slaughter. Come for the demanding and gory action gameplay, and stay for the odd voice performances, anime flashbacks, and karaoke with Stefanie Joosten. It's sometimes frustrating, often satisfying, and almost always janky and weird; I can't stop thinking about it.
Dead Space rigorously reanimates gaming's best sci-fi horror game. It's clear EA Motive looked at the original title both through the lens of adoring fans as well as talented developers. They keep what worked, morph what didn't, and unlike the game's protagonist, cut off almost nothing. The USG Ishimura has never been more immersive. Only minor missteps keep it from perfection, but not from being an absolutely stunning makeover, and a must-play experience.
The PS2 series has returned with modernized controls, but old problems. Simple but satisfying gunplay wrapped in a stylish package is marred by a padded runtime, uneven presentation, and poorly done localization. Gungrave G.O.R.E's promising start transforms into a slog to its finish through bullet sponges, bad encounter design, and worse platforming.
God of War Ragnarok makes use of cinematic techniques and skilled actors to tell its story of holding on and letting go. But it doesn't feel beholden to cinematic trappings. It's proud of its history and medium and plays sublimely as a result. With a focus on fun and flow, God of War Ragnarok's bloody and beautiful pieces fit together swimmingly.