Kieron Verbrugge
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Ruffy and the Riverside is an impressive debut title and a top-notch 3D collectathon adventure. The texture-swapping gimmick adds a rich layer to the canvas that more than makes up for some spotty platforming, and Riverside itself is a wonderfully weird and gaudy locale well worth exploring.
Occupying a cosy space between video game, simulation and interactive wallpaper, Lushfoil Photography Sim offers some gorgeously enticing locales to virtually visit and snap – and just enough outside the frame to keep you playing.
As a VR-optional walkabout adventure, The Midnight Walk is light on thrills or variety, but it makes up for that with some of the most arresting and artistically accomplished visuals inside a headset.
High On Life is the most video game-like video game to come from the minds of Squanch and Justin Roiland to date, and it shows the studio is capable of more than just lightly-interactive experiences packed with fart and cum jokes. Though it has plenty of those, too.
F.I.S.T.: Forged in Shadow is a very competent, very good-looking foray into the Metroidvania genre with solid platforming and exciting, demanding arcade combat. Torch City is a wonderfully-grim place to get lost in and it's rendered gorgeously, despite some awkward signposting at times. Most of all, it nails the sense of exploration and steady progress that's a hallmark of the genre and it does all of that with a kick-arse rabbit in a mech suit for a protagonist. If this is the level of quality that studios backed by the China Hero Project are going to deliver then the program has more than made a case for itself.
God of War Ragnarok is a triumph. Santa Monica Studio has successfully taken everything that was great about the last game and amplified it while correcting just about every problem area and then some. There are slight stumbles, but it's a constantly surprising, epic adventure that shows genuine growth in its characters, backed up by best-in-class combat and a menagerie of breathtaking scenes. This makes Ragnarök an easy GOTY contender and one of the best games I've played in years.
We Are OFK doesn't quite hit the mark as an interactive experience, but it excels with a compelling narrative hook built on fantastic character and dialogue writing. It also doubles as a genuinely great EP by a virtual band that benefits immensely from the context its five episodes provide. This is a stark example of a game that is truly special, even if it's not perfect.
Botany Manor is a delight. It's sweet, succinct and serene, packed with clever puzzles that reward thoughtful exploration and engagement with its narrative. At a little under three hours it's the perfect lazy weekend getaway for those that like to stop and smell the flowers as much as they like to enrich the soil of their mind.
Ghost of Tsushima might be built from the same stuff as its AAA, open world contemporaries, but that doesn't stop it from being one of the best open world experiences of the generation. Sucker Punch has set its samurai fantasy apart by presenting players with a beautiful world that is rewarding to explore, with many mysteries to uncover. Jin's story is a compelling tale pulled from the pages of the epics, and it's just one of many that the game has to offer. The game isn't perfect, but it's not often I spend upwards of 50 hours playing an open world game to total completion and immediately want to jump back in, even if it's just to sit and watch the breeze roll by.
SteamWorld Build is another feather in the series' cap and another great distillation of genres into a friendly and wholly addictive package. The city building and mining halves come together effortlessly thanks to a pitch-perfect campaign, though with just a single scenario there's not a heap of longevity. The console version's awfully-small text also threatens to undo the good done by its superb controls, but in the end it remains another banger SteamWorld game.