Roland Ingram
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Nintendo LifeLatest Reviews
Survival Kids is a thoroughly competent, cosy game of cooperative gathering and crafting. It’s not much of a looker, and its ideas aren’t mind-blowing, but it’s all good stuff thanks to its robust controls and easy-to-grasp loop. I’m not sure I’d want to be stuck with it on a desert island, but it’s good company for several happy hours with a friend – especially a less experienced gamer. If you plan to get shipwrecked with a little one and giggle your way through it, go ahead and add a point to the score.
With Rift of the Necrodancer, Brace Yourself Games has picked up the rhythm genre and, well, riffed on it. This is a smart, stylish remix of what rhythm games can be. By swapping prescriptive note charts for more involved pattern reading, it cracks open a whole new dimension of challenge – one where you will feel both cool and overwhelmed at the same time.
Loddlenaut is sort of a job sim where the job in question feels futile. Cleaned places need re-cleaning, fed loddles need re-feeding. Given that the project at hand is to purify a mega-corp-abused ocean, it’s quite a downer that the game feels so unwinnable – but maybe that’s the point, in a melancholy kind of way. In any case, if you don’t overthink it, the environment is calm, the loddles are cute and the execution leaves few irritations. If this is a PowerWasher’s fever dream, then it would be a shame to wake up.
Braid remains a landmark equally for indie game development and puzzle platformers. The time control mechanics are mind-bendingly satisfying to play with and the puzzles are wickedly inventive. This Anniversary Edition is an exquisite expression of the original concept, with everything spruced up to perfection. And, even on top of that, it includes interactive creators’ commentary that sets a high watermark for in-game analysis and represents a new key text for anyone interested in how games are made. In short: this package is an all-timer.
Planet of Lana intelligently combines elements of classic cinematic platformers to make something distinctive and characterful. For a tight five hours or so, it keeps up the pace, with very few taxing puzzles or tricky action segments to slow progress. Leaning into easier gameplay in favour of visual and auditory spectacle, it looks the part and runs consistently well. It’s a treat for the long-suffering cinematic platforming fan – perhaps even destined to join that short list of classics.
Snufkin: Melody of Moominvalley opens with a goodbye. As an outsider, Snufkin doesn’t hibernate with the Moomins and must wander lonelily through the ice. The prospect of a reunion in the spring sets up a bittersweet mood, sews a seed of hope that grows throughout the game, and kicks off a quest to restore everything to its rightful place. Accomplished gameplay design and magical sounds and visuals make the whole adventure a delight.
On its trip down the river, some of Dordogne’s design ideas feel stodgy, performance is sometimes flaky, and it leans into its clunkiest gameplay elements as it nears the end. But to get hung up on these points is to miss a truly touching story bringing a beautiful world to life in sound and images. There’s a lot to reward you here if you can navigate the obstacles and just go with the flow.
It’s hard to talk about the specifics of Inscryption without diluting some of its magic. However, its ingenuity is mind-boggling, its mood is devilishly haunting and its presentation is first-rate. As a deckbuilder, it’s stretched about as far as it can go, and by jumping around between concepts it sometimes asks for a lot from the player. The pay-off, however, is one of the most impressive feats of video game storytelling there is. If you’re new to Daniel Mullins Games then you’re in for even more of a treat, but existing fans, too, shouldn’t think they have the measure of what awaits on Inscryption’s dusty old floppy disk.
Return to Monkey Island reaches into your heart, rips out your desire to know THE SECRET, and clenches it in front of your face. As hard as it would be to concede that The Secret of Monkey Island™ might always have been a MacGuffin, it’s agonising to contemplate that your 30-year longing for the Monkey Island 3 might be just the same. Delighting as you tremor, Return presents to your transfixed gaze a phenomenal point-and-click adventure, bubbling with passion and fun. All the way through, you will hope, achingly, that the big reveal is coming – and then…
Strange Horticulture’s biggest struggle is shoehorning itself into the Switch’s little screen and thumbstick controls. It does that well enough to preserve its wonder, but if you have a PC to play it on, that might be preferable. It comes from a very simple place: a one-screen playfield with basic, heavily scripted interactions. But that is the perfect backdrop to throw the player’s new discoveries into sharp relief and bring an eerie world and gripping mystery to life. This irresistible immersion stems eventually from a quiet and unassuming start, so stick with it – it’ll grow on you.