Rhys Wood
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TechRadar Gaming Latest Reviews
Like any game in Grasshopper Manufacture’s offbeat catalog, Romeo is a Dead Man isn’t for everyone. On the surface, it’s a hilariously violent action game with bizarre pop culture references, and the story might alienate players who are more used to titles with straightforward narratives. But dig down a little, and you’ll find that Romeo is a Dead Man deals in immensely rewarding combat, irreverent and varied art styles, and above all, a ton of soul, all in spite of a short runtime.
Nioh 3 is a brilliant evolution of the series’ formula. This third entry mostly heightens the strengths of its predecessors, while simultaneously streamlining and improving things that didn’t work so well. Meanwhile, its emphasis on switching between Samurai and Ninja styles - in addition to a successful shift to a semi-open-world format - makes Nioh 3 the franchise's most fleshed-out and polished experience to date.
Code Vein 2 is the very definition of a dream sequel. It improves on almost every aspect of the promising yet flawed original to deliver a surprisingly unique soulslike experience. The shift to an open world is (mostly) successful, experimenting with different builds is a breeze thanks to the revamped Blood Code system, and I couldn’t help but fall in love with this world, its characters, and the tragic stories they tell. If it wasn’t for the game’s shoddy performance on console, I’d say Code Vein 2 is a must-play.
Metroid Prime 4: Beyond can't possibly live up to years and years of anticipation, but that's not to say it's a disappointment. Drop-dead gorgeous visuals pair with stunning environments and a uniquely alien atmosphere. Its massive open desert is a slog to get through, however - even on Samus's new bike - but Beyond is nonetheless an adventure that's tough to put down, flaws and all.
Hyrule Warriors: Age of Imprisonment is a huge improvement over Age of Calamity. It offers more characters with interesting move sets, decent performance, and a story that doesn’t relegate itself to being a meaningless ‘what if’ scenario. Said story here does miss some open goals here and there, and the inevitable Musou repetition can set in during longer sessions. But overall, Age of Imprisonment delivers an incredibly satisfying Warriors experience with delectable Zelda flavor.
The Outer Worlds 2’s collection of medium-sized immersive sim-like sandboxes are brimming with detail and avenues for creative exploration. There are some minor missteps, however, namely in moments where the pacing slows down to a trudge, making for uneven momentum in how the adventure plays out. Like Obsidian’s finest games, its latest offering teems with brilliant, witty dialog, strong anti-capitalist themes, and a plot where your decision-making can lead you down truly unpredictable paths.
Ninja Gaiden 4 is the best game Team Ninja has put out since Nioh 2, and for co-developer PlatinumGames it’s easily its strongest project since 2019’s Astral Chain. A boisterous, blood-drenched character action game, Ninja Gaiden 4 combines the rock-solid difficulty of its predecessors with Platinum’s prowess for satisfying, fast-paced combat. Some levels do drag on with dull platforming sections, but few games this year match the unapologetic thrills of Ninja Gaiden 4’s brutally brilliant combat.
Sonic Racing: CrossWorlds isn’t just the best racing game of the year; it brings a confidence and energy that the genre has rarely seen over the past decade and a half. Especially as arcade-like experiences have largely given way to more straight-faced sim racing affairs. CrossWorlds offers a metric ton of things to do, with loads of tracks, characters, vehicles, and unlockables. The racing itself is also plenty addicting, thrilling, and - most importantly - blazingly fast. Some side modes feel a little underbaked, but this is an incredibly strong package where you absolutely get what you pay for.
Borderlands 4 surprised me. After not gelling with the series’ prior two entries, the fourth mainline instalment provides some of the most fun I’ve ever had with the quirky looter shooter. Its characters are well-written and not lacking in charm, but most importantly, Gearbox has achieved something I thought impossible: making Claptrap likeable. Some performance issues do need ironing out - especially on PC - and I wish some of the side challenges were a bit more fulfilling. But overall, this is easily the best Borderlands has ever been; yes, even when stacked up to the iconic first sequel.
Daemon X Machina: Titanic Scion clearly takes inspiration from the Xenoblade Chronicles series with huge open maps and deeply customizable mech suits. The game nails the customization and has some cool ideas all its own, like the superb fusion system. Unfortunately, it does very little with its open spaces, and they aren’t particularly visually interesting. With bland interior levels, shallow side missions, and rather listless combat, it’s ultimately a game that feels half-baked.