Oscar Gonzalez
Game industry critic and reviewer
Writing For
CNET 
Game Skinny Latest Reviews
Sucker Punch had the difficult task of improving on a game some might consider perfect. Not only did they complete the task, but made it look effortless with Ghost of Yotei. The game has all the same great elements that made the original so enjoyable, yet improved on practically every aspect with hardly any flaws.
To say I'm disappointed with Silent Hill f is an understatement, but I'm also not surprised. You could give this game a totally different name, and it would be just a passable survival horror game.
Shinobi: Art of Vengeance is a remarkable 2D action game. For $30, it provides substance and fun, and Lizardcube escalates difficulty just enough to make finishing a level satisfying. If you're rebooting a 2D action franchise to appeal to fans of its older games, Art of Vengeance is a perfect example of how to do it.
Metal Gear Solid Delta: Snake Eater looks fantastic, runs smoothly and offers plenty to do after the credits roll -- all while being a remake of arguably the best entry in the series. Fans are going to love it. If you've never played MGS3 and are curious, this remake is a must. But if that doesn't describe you, it's not an immediate pick-up.
It's hard to put into words how exceptional UFO 50 is. Is it going to be my favorite game of all time or even game of the year? Probably not. But I love how the games tickled my brain by blending the aesthetics of games from my childhood with clever modern twists.
I would have liked to see Mafia: The Old Country give me more to sink my teeth into. This is not about length, which comes in at around 12–15 hours to complete, but more about having some meat on the bone. If it's about giving me a cinematic drama to play before me, then really give it to me instead of a very typical love story up until the last hour or so. My hopes were high for Mafia: The Old Country, and the game didn't satisfy.
With only six to eight hours of gameplay at a price tag of $25, I cannot recommend Ninja Gaiden: Ragebound. It lacks anything of interest other than this side story to the original Ninja Gaiden game, and even then, it's just introducing different ninjas that are fighting monsters. This game was supposed to be a love letter to the original trilogy, but instead, it's more like a bad photocopy of a love letter made by someone who didn't seem to care that much.
Wuchang is an ambitious Soulslike, which helps it stand out in what's one of the newest and most popular subgenres around. What keeps it from being great is that all these new systems are a chore to actually understand and use. I'm sure that if players perfectly grasp a balance of the systems, they could make a character with some amazing capabilities, yet it's hard to reach that sweet spot playing through the game.
Death Stranding 2: On the Beach should have been called Death Stranding 2: Quality of Life, because that's what this game is. From top to bottom, Kojima Productions made so many improvements to the original, making a weird delivery-sim game that is quite relaxing. Those improvements may not be enough to attract people who avoided the original, yet the players coming back are going to find a sense of calmness that you could assume Kojima wanted to deliver with his game.
All the new additions id Software introduced in Doom: The Dark Ages are welcome changes to keep a franchise that's been around for more than three decades feeling fresh. I still can't shake the feeling that something's missing, though. It just doesn't have the same pull as the last two Doom games.