Tim Turi
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Game InformerLatest Reviews
With Star Wars Episode VII: The Force Awakens on the horizon, plenty of fans are left daydreaming how'd they make a living in deep space. If you've ever wondered what Han Solo might have been up to before he met Luke and Obi-Wan in a certain Mos Eisley cantina, Rebel Galaxy does its best to deliver that fantasy but suffers from stretches of repetition.
With titles like Dear Esther and Amnesia: A Machine for Pigs, developer The Chinese Room has been a pioneer in the field of interactive storytelling. Restrictive linearity has been a weakness of the studio's titles, but Everybody's Gone to the Rapture allows players to meander off and explore the aftermath of a gorgeous post-apocalyptic English countryside set in 1984. Rapture is an ambitious attempt at abstract storytelling, but ultimately the only reliable way to experience it flies in the face of untethered exploration.
Good music can make or break a game. A catchy stage theme can burrow into your head longer than a radioactive earwig, while the most abrasive offenders suffer music's worst fate: the mute button. Crypt of the Necrodancer pulls off the improbable, delivering three awesome soundtracks and allowing you to weave your own music library into the core of its punishing roguelike gameplay.
Boss battles provide some of the most potent memories we take away from our favorite games. I'll never forget the first time I batted Agahnim's magic blasts back at him in The Legend of Zelda: A Link to the Past, or took down the first lumbering stone giant in Shadow of the Colossus. Developer Acid Nerve recognizes the appeal of a good boss fight, and they've combined the essence of the incredible games I mentioned into a unique package that trims the fat and focuses on big confrontations. More than just a tribute to either game, the studio infuses the core concept of hunting down giant ancient beasts from Shadow of the Colossus with enticing elements like extreme lethality, top-down Zelda-inspired battles, and a captivating sense of mystery.
Childlike imagination is generally considered a happy, wondrous thing. Krillbite's first-person horror game turns this expectation on its head, tossing players into the psyche of a child coping with a turbulent family life. Among the Sleep packs fewer scares and puzzles than I traditionally enjoy in horror games, but its surprising storytelling helps it succeed despite these shortcomings.
Coffee Stain Studio’s main page for Goat Simulator describes it as “a small, broken, and stupid game.” These aren’t the words I’d typically use to begin a review, but I found them appropriate. The developers’ humorously dismissive statement accurately sums up the wacky, physics-based sandbox, but it doesn't encompass the entirety of the title’s shortcomings and goat-related chaos.
World War II was the golden age for aerial warfare. Fighter jets, aircraft carriers, and anti-aircraft guns evolved rapidly, and victory in the sky became as crucial as conquering land and sea. Flying aces emerged from their respective nations, single-handedly gunning down hundreds of enemy planes. Luftrausers is a frantic, sepia-toned 2D shooter by developer Vlambeer (the studio behind the mobile hit Ridiculous Fishing). It places you in the cockpit and makes you feel like one of history’s soaring champions.
In a new generation of hardware with several multi-platform, cross-generation launch titles, many gamers are struggling to point out exactly how the new hardware unlocks new possibilities — Dead Rising 3 stands as a clear example. The winding city streets are packed sidewalk to sidewalk with more zombies than you could count, and turning the asphalt red with their blood is as fun as ever. However, the technical leap in the undead population comes with its share of distracting bugs.