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You just have to marvel at it. Playground Games’ fifth venture into the Horizon is the pinnacle of open-world racing.
Ah, a Ubisoft game. Giant, unfathomably-massive open world? Check. Technical problems that make it feel like it could all fall apart at any second? Yep, check again.
After five mainline entries and two full-sized spin-offs, you might be thinking the Far Cry train has run out of steam. But here, on its full next-gen debut, a South American world of carnage, chaos and crisp linen suits awaits.
Fast, gory, deafeningly loud and unapologetically old-school, id’s soft reboot of its famous series was the shot in the arm we didn’t know the FPS genre needed. And if follow-up Doom Eternal was just more of that, another hundred-mile-an-hour playable metal album, we’d probably be alright with it.
After an 8 year hiatus, including jaunts to space, World War 2 and Kevin Spacey’s house, Modern Warfare makes a triumphant return.
Ubisoft has long enjoyed a reputation for amalgamating all its favourite game systems and shoving them into everything it puts out. For years, every Ubi open world had giant towers to climb, thousands of icons to clear and endless tat to collect. Laborious, but ultimately inoffensive.
Gears Of War has always been about making statements. Changing the way movement works in third-person shooters. Changing the human anatomy to make room for extra muscles. Changing the way guns reload.
After years in meditative hibernation, this once-lost Shogun warrior has reemerged to do battle with old nemeses Street Fighter and Mortal Kombat, and to take a few arms home with it in the process.
After the ridiculous success of the Crash N. Sane Trilogy, Activision’s accountants (presumably) desperately scoured the archives looking for something else to restore the company to financial glory, and came up with a 20-year old kart racer that almost every PSOne owner swears is better than Mario Kart.
Despite the book coming out in 2006 and the Brad Pitt movie in 2013, it’s taken until now for World War Z to make it onto our digital apocalypse.
To the casual observer, Street Fighter V might seem like the biggest fighting game in the world, with its main-stage tournament finals at EVO and globally-renowned roster of characters.
What happens when you take the creative leads from the beloved but near-forgotten Burnout series, team them up with a tiny handful of talented developers, and give them about a 100th of the budget of any typical modern racing game?
