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South of Midnight doesn't reinvent anything, but it does a competent job of everything it attempts. With all that’s going on in gaming right now, that's worth something. South of Midnight respects your time, delivers an emotional narrative, trusts that you know how to play it, and is bursting with texture and taste. This is a future classic for someone, and it might just be you.
Xbox's first big game of the year continues the trend of so close, yet so far.
Origins keeps the stellar combat of the Dynasty Warriors format, but can't build a narrative around a single character
BioWare is close to, if not back at, its best with Dragon Age: The Veilguard
Jamboree is a return to form with interesting boards and a whole batch of brilliant minigames
Astro Bot celebrates PlayStation history, but does it so well it becomes an indelible part of it.
A great tennis sim with no modes to play them in makes Top Spin a mixed bag.
Stellar Blade is a competent mix of character action and Soulsborne, but with a dull protagonist and uninspired narrative.
Suicide Squad: Kill the Justice League has some excellent characters who don't deserve such a generic game to suffer through
A Highland Song captures the scope of its towering setting in a small package, but sometimes gets lost in the foothills of its ideas