John-Paul Jones
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Much like its primary protagonist then, Rue Valley certainly has no shortage of faults or shortcomings and it's also practically impossible for Rue Valley to escape the vast, looming shadow of ZA/UM's epic adventure, Disco Elysium. Taking all of that into account however, Rue Valley's Disco Elysium meets Groundhog Day concept is a compelling one that finds itself ably anchored by a great art style, good writing and interesting characters and it's one that will surely tide over Disco Elysium fans looking for their next existential adventure fix.
Another home run for those wizards at Digital Eclipse whom I hope will never stop weaving their game preservation magic, Mortal Kombat: Legacy Kollection isn't just a pitch-perfect trip down memory lane, it's a love letter, a tantalising peeling back of the curtain, a look behind the scenes of one of the most legendary and landmark videogame franchises ever made. If you have even the smallest modicum of fondness for gaming's original bad boy, then the Mortal Kombat: Legacy Kollection is as essential as essential can be.
Though Streets of Rage 4 remains the bar to pass, Double Dragon Revive even feels markedly less satisfying than the excellent Double Dragon: Rise of the Dragons which was released a little over two years ago. That said, while Double Dragon Revive does implement some neat mechanics which would serve future games well, the lackluster 3D character models and dull worlds act to its ultimate detriment, resulting in plodding combat that rarely satisfies or compels. If this was intended to be a true revival of Double Dragon, then someone forgot to bring along the soul because what we’ve ended up with is a hollow facsimile of what Double Dragon should be, rather than an evolved celebration of everything we loved about it in the first place.
I can well imagine that when you're situated in a hydraulic miniature car attached to an arcade machine that is blaring out the audiovisual presentation of Fast & Furious: Arcade Edition at full tilt, that it's something of a compelling if not a mildly intoxicating quick fix of arcade racing goodness. At home however, and stripped of such performative trickery, Fast & Furious: Arcade Edition fails to impress and really needs much more meat wrapped around its bones to justify its existence away from the din of the arcade scene which birthed it.
Vampire: The Masquerade: Bloodlines 2 might not be the sequel that folk from 2004 wanted for their game, but it is the game we've got. Though largely sparse open world and technical issues are hardly encouraging, the beautifully evocative interior environments, surprisingly engaging traversal and combat mechanics, together with its neatly unconventional ‘buddy movie' conceit which sees two vampires attempting to inhabit the same body and each with their own motivations, makes Vampire: The Masquerade: Bloodlines 2 a good deal more intriguing than I originally expected it to be.
Ghost of Yōtei is that rare sequel that not only maintains the essence of its highly successful predecessor, but also qualitatively leapfrogs it in just about every meaningful way and metric. Underscored by a grippingly furious tale of revenge inspired by a layer cake of classic Japanese samurai cinema, the best combat ever seen in a samurai title and the most compelling open world since Red Dead Redemption 2, Ghost Of Yōtei is a jaw-dropping demonstration of Sucker Punch Productions operating at the peak of its considerable powers. Ghost of Yōtei redefines the term ‘must-have’ and wholly validates PlayStation Studios broader approach to embracing single-player epics such as this.
There's no getting around the fact that Lost Soul Aside feels like it belongs in the mid 2010s and honestly that would be fine were it not the fact that the game feels so compromised in so many other aspects of its design that it's difficult to shake the feeling that it just feels outdated, rather than a heartfelt love letter to the past. Though the soundtrack is frequently excellent and the combat reliably exciting, neither are enough to save Lost Soul Aside from tumbling into a deep abyss of rank mediocrity, which is a shame; especially considering the sheer amount of graft that has gone into the game since its inception all those years ago.
Ultimately, if you can forgive the crusty aesthetics (and I would encourage you to do so - even if there is a lot of forgiveness to be dished out), Neverwinter Nights 2: Enhanced Edition will still absolutely decimate your social calendar as it thoroughly draws you into its Dungeons & Dragons setting. It's just a shame that some more care and attention wasn't lavished to give this re-release the proper love it deserves.
While Eriksholm: The Stolen Dream won't win any awards in terms of its challenge or implementation of stealth mechanics, I absolutely fell in love with its opulent setting, excellently heartfelt performances, gripping story and linear stealth adventure goodness that did just enough to satisfy my stealth hunger. Though some may rightly decry its lack of challenge relative to other entries in the stealth genre, Eriksholm: The Stolen Dream is nonetheless a stunning debut for Swedish based studio River End Games and I can't wait to see what comes next.
Unlike other seemingly similar efforts that want to tempt players down 3D platformer memory lane for a concentrated hit of nostalgia and leave it at that, Ruffy and the Riverside doesn't just take that well-worn idea and repackages it, but instead adds something refreshingly compelling to the formula. Though some minor flaws and polish issues do abound, they aren't enough to take the shine away from one of the most charming and thoughtful 3D platformers in ages.