Hunter Wolfe
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GamingTrend Latest Reviews
Assassin's Creed: Origins is as much a departure as it is a homecoming. Revamped combat mechanics defibrillate the series with much-needed challenge. The guided open-world design encourages and rewards exploration unlike any Assassin's Creed game before it, and takes place in one of the series’ most memorable settings. But at the end of the day, and despite some growing pains, Origins is a culmination of the best aspects of the series. And for that, some hiccups in the transition to full-fledged RPG are a fair trade.
If you’ve played games like Gone Home, Dear Esther or Firewatch, Tacoma is instantly recognizable, but it remains distinct by introducing a wildly exotic space setting and a mechanic that keeps the “look and listen gameplay” from ever becoming a bore. It can, at times, devolve into too much of a linear experience, giving way to predictable pacing, but this is forgivable, because when your time is done on the Tacoma lunar station, your heart will be a little fuller for the people you met while you were there.
Perception’s unique echolocation gameplay hook is enough to sustain the game for its 4-5-hour run, but I was saddened that The Deep End Games didn’t explore this mechanic any more than it did. Had it, Perception’s shallow plot and characters might have found some redemption. Ultimately, Perception is more carnival than amusement park - cheap thrills than top shelf. If you like horror games, you’ll like Perception, but you’ve probably already experienced a bunch of horror titles scarier than this one.
Don’t question it — just buy it. Buy it right now. It isn’t a shooter, and there are no puzzles and some will question if this even qualifies as a “game,” but What Remains of Edith Finch is an exemplar in video game narrative design. No other game I’ve ever played has provoked the same meditation on death, and ultimately life and the beauty of it all.
Free-to-play games often carry the stigma of being “pay-to-win” — a design philosophy that says if you want to win, buy in. Orcs Must Die! Unchained isn’t that. It’s a hoopla of co-op action that works whether or not you want to drop some dough. While the new Sabotage mode is a welcome, albeit lesser refined addition to the series, it’s in Battlegrounds that Robot Entertainment flexes its action gameplay muscles and it's the game type that will keep me coming back for dozens more hours — or at the very least, to nab those daily login bonuses.
Steep is a triumph at merging gameplay and presentation to deliver players a sense of place in its beautiful open world. Controlling each sport feels simple yet laser precise, and the diversity in sports and challenges encouraged me to stay in the game even when challenges became too frustrating or uninteresting. Add to this a solid layer of social functionality, albeit shallow when playing with strangers, and you have a game that reaches the great heights it endeavors to recreate.
Gas Guzzlers is more of a junker than a Ferrari, and it shows in its technical underperformance and uninspired track designs. If you really have nothing else to play, the game packs a couple cool features that will occupy you for a few hours — if you don’t get carsick before then.