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Monster Hunter Wilds offers the best hunting and combat in the series’ history. Intense fights are at the heart of the experience, and the large, open world and its various ecosystem changes are spectacles to see from afar and up close in the middle of a hunt. It is only bolstered by some fantastic audio, music, and feedback as you slash, carve, and batter monsters. However, the game’s characters don’t have enough air to breathe amongst the wider narrative and the lack of pinnacle fights and endgame challenges are a severe downgrade from other games in the series.
Overall, Crypt Custodian is a pretty traditional Metroidvania elevated by its fantastic world, aesthetic, characters, and soundtrack, with solid combat and a lot of build flexibility. These aspects all help alleviate some visual clutter issues and frame rate hiccups, ensuring that Crypt Custodian shouldn't end up lost in the eShop bargain bin like so many other Metroidvanias.
By the time we rolled credits, that was the prevailing feeling we were left with. While we found more enjoyment in the latter two thirds of Flintlock than in the initial intro and opening area, we couldn't help but feel let down by Flintlock in almost every way.
Biomutant has a solid core. Unique enemy designs, a wide variety of weapons to use in combat, and flexible, fun combat are all highlights, but an arduous narrator and a monotone story filled with repetitive quests and tasks weigh the experience down. Pair all of this with the unpleasant visuals and low-quality textures, and we have to wonder if the game should have waited for Nintendo’s next console. The actual gameplay experience is great, but instead of feeling like a polished handheld version of the game, Biomutant feels like it has been rushed out the door and left standing on the porch a bit dishevelled.
With Dragon’s Dogma 2, Capcom continues to solidify its reputation as one of the industry’s premier developers. The sequel delivers an incredible, continent-spanning odyssey filled with monsters to battle and mysteries to explore - rewarding player discovery and backing up its captivating sense of adventure with refined, enjoyable combat. Dragon’s Dogma 2 is one of the best fantasy RPGs of the modern age and will no doubt prove a strong contender for game of the year.
Expeditions feels like an exciting new direction for this series that encourages more experimentation on the gameplay side and I am thrilled that this didn’t just feel like Mudrunner or Snowrunner again. I am excited to see where Saber takes the game with its seasonal content, especially after the exciting editions we saw with the Snowrunner seasons.
Skull and Bones is a dreary and dull open-world game that completely fails to capture the fantasy of being a pirate, failing to deliver anything worth experiencing.
Days Gone on PC is an impressive technical upgrade from the PS4 version, running flawlessly and looking gorgeous, thanks to the increased detail. The game still has major flaws and is largely uninteresting and bland, but the tick-box formula and amount to do will grab some people. That said, don't expect PlayStation and Sony's typical great narrative and gameplay the brand is known for.
Offering a spine-chilling and creepy setting and atmosphere, Mundaun is a great experience that doesn't feel like anything I have played before. Its gameplay systems all blend together surprisingly well and it is just the right length. The strengths help alleviate some of the issues I had, but even with those present, it is well worth a play for fans of the genre.
Destruction AllStars is a clunky mess of a multiplayer experience, committing a few cardinal sins when it comes to its online experience and offering uninteresting and dull gameplay most of the time. Each character feels unique and their abilities and vehicles are fun to use, but when meshed with the rest of the experience, it doesn't work. Predatory microtransactions, a lack of lore and backstory into the AllStars, and poor single-player offerings make this the weakest PlayStation Studios title in a long time.