Usama Mehmood
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DualShockers Latest Reviews
Dispatch is absolute cinema, literally and figuratively. AdHoc has truly crafted a delightful experience with its workplace-comedy superhero narrative, one that features a strong cast of well-written and eccentric characters, making you eager to meet them again like long-distance BFFs. The gameplay can be slightly tricky to grasp, but ultimately becomes a hyper-engaging burst of time-based unit management. Each character is so lovable at heart that you won't even need a lengthy backstory for context. And with a writing direction that strongly emphasizes character relationships and banter with one another, it is one of the most cathartic video game experiences that I had this year, making me grateful for every minute I spent with Robert and his crew, as well as making me want to support AdHoc in any way possible in a plea for making another season on these whimsy goofballs.
Dispatch is absolute cinema, literally and figuratively. AdHoc has truly crafted a delightful experience with its workplace-comedy superhero narrative, one that features a strong cast of well-written and eccentric characters, making you eager to meet them again like long-distance BFFs. The gameplay can be slightly tricky to grasp, but ultimately becomes a hyper-engaging burst of time-based unit management. Each character is so lovable at heart that you won't even need a lengthy backstory for context. And with a writing direction that strongly emphasizes character relationships and banter with one another, it is one of the most cathartic video game experiences that I had this year, making me grateful for every minute I spent with Robert and his crew, as well as making me want to support AdHoc in any way possible in a plea for making another season on these whimsy goofballs.
Dispatch is absolute cinema, literally and figuratively. AdHoc has truly crafted a delightful experience with its workplace-comedy superhero narrative, one that features a strong cast of well-written and eccentric characters, making you eager to meet them again like long-distance BFFs. The gameplay can be slightly tricky to grasp, but ultimately becomes a hyper-engaging burst of time-based unit management. Each character is so lovable at heart that you won't even need a lengthy backstory for context. And with a writing direction that strongly emphasizes character relationships and banter with one another, it is one of the most cathartic video game experiences that I had this year, making me grateful for every minute I spent with Robert and his crew, as well as making me want to support AdHoc in any way possible in a plea for making another season on these whimsy goofballs.
Although Ghost of Yotei lacks a cohesive and well-executed main story, it makes up for that with its vastly improved combat and world design. It obviously doesn't do anything mind-blowing for the open-world genre, but it refines nearly every aspect that made Tsushima special while carving out its own unique identity. Atsu’s journey delivers both emotional depth and visceral action through her mastery of various weapons, supported by a beautifully crafted world that feels alive without overwhelming you with a boatload of recurring side activities. It’s a love letter to revenge tale media rather than the traditional samurai cinema and players who still adore the gameplay-focused prowess of Sucker Punch—moreover, it's also a reminder that sometimes, a safe sequel can still be satisfying to play.
Much like Kyle Crane's return, the series has also returned to form with Dying Light: The Beast. Although not a true sequel, it's a meaningful entry that dials down the tone to a much more sinister and grimier one. It's a reminder from Techland of why fans love the series in the first place—a gnarly yet technical combat system, over-the-top gore, and the thrill of freerunning all composited with a decent enough story, one that's sure to invoke the hope to live and die another day. You can effortlessly mow down enemies with a barrage of new unhinged artillery or viciously tear them apart with Beast Mode—it's your playground here, and it all adds up to make it perfect for veterans to experience while offering a slice to newcomers of what makes Dying Light feel so special. The Beast is awake, and so is the franchise once again.
Mafia: The Old Country is a strong contender for one of 2025's best narrative titles. At one moment, it can feel like a cheesy Italian soap opera where Enzo and Isabella's on-screen forbidden affair is adorable enough to make you kick your feet in the air. But on the other hand, it's a ruthless crime spectacle that excellently portrays the origins of the Mafia with the Torisi Family's rise and fall, with character performances reminiscent of an A24 movie. Throughout its 14-chapter duration, it maintains a tight pacing, particularly in its exposition and gameplay sequences, with the latter feeling like a breath of fresh air thanks to the different weapons, variable firefight sequences, and intense knife duels. Considering the ending and the fan-service elements that cater to long-time fans, this is not only the best Mafia game to date, but also one of the best modern linear action-adventure titles.
Remedy Entertainment takes a safe approach to the multiplayer scene with their red-hot FBC: Firebreak. The game delivers exactly what it says on the tin—an easy pick-up-and-play cooperative FPS title with a simplistic footing, but without the traditional live-service elements plaguing its future. The gunplay, albeit a bit too arcadey for my liking, thankfully gets outshone by the teamplay-style presentation during jobs and their tunable modifiers, and the unique character classes and their traits. Although most of its rewarding features add variability to custom loadouts, there's not much else here that, unfortunately, makes it worth spending an effort on. I'd much rather see a sizable number of differences in the job variety, missions, and power fantasy elements that actually heighten the sense of being an FBC operative who's exterminating the evil corruption of the Hiss.
Like a Dragon: Pirate Yakuza is a love letter to Majima's loyal fanbase, who've been in awe of his character since his original appearances. RGG has done a marvelous job capturing the old-school Pirate era with naval combat that feels arcade-like and simplistic to have fun with and sea exploration to get lost in for a few hours. Despite some reused stuff from Infinite Wealth, there's enough unique nuance to be found here from its plethora of well-written substories and the Madlantis Pirate Coliseum. Although the main story falls victim to some pacing setbacks, Majima's incredibly charismatic character, along with his merry band of Goro Pirates, keep you hooked until the end of this whimsical adventure and proves to you how he's truly special when compared to the likes of Kiryu Kazuma or Ichiban Kasug
In this review, we discuss Infinity Nikki, an open-world dress-up adventure game from Infold Games and the fifth entry in the Nikki series.
Despite its shortcomings, Life is Strange: Double Exposure is a promising gift for fans. Its dark mystery narrative requires you to keep track of two separate timelines at most intervals. But there's enough breathing room to enjoy the usual heartfelt moments of the series. Although the final chapter parallels the first game's events in a way, it sets up an unexpected follow-up sequel, leaving much to be desired from its characters. On the plus side, the series' staple elements, from the soundtrack to the puzzle-solving sections, are executed perfectly. Deck Nine could've handled the Max and Chloe dynamic more appropriately, but there's still enough fan service that most Life is Strange fans will adore this game.