Tom Bardwell
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Latest Reviews
Romeo is a Dead Man is another signature digital idiosyncratic reverie from Suda51 and Grasshopper Manufacture, a kaleidoscopic muddle of visual styles, music, and ideas that offers acres of fertile concepts and feelings to interpret and muse over. However, when the dust settles, it isn’t all that enjoyable to play.
Bold and brilliant, Reanimal is a strangling, grim adventure that’s anything but little or nightmarish, leaning into legitimate, unsettling horror through its stellar artistic direction, tense atmosphere, and grisly, haunting world.
Skate Story is an allegorical love letter to skateboarding that expertly captures the essence of skating’s humbling mechanical vocabulary like few other games do. Thoughtful and inventive in unexpected ways, Sam Eng’s boundlessly creative dive into an absurdist underworld is as nourishing as it is refreshing.
Between a dire campaign, samey multiplayer, and a pervading sense of stagnation, Call of Duty Black Ops 7 is a disappointment and serves as, perhaps, the worst Call of Duty title in years. Save yourself some money and play Battlefield 6 or Arc Raiders instead.
Foregoing genre-advancing substance and texture for impeccable style, Ghost of Yotei feels like a cowed shadow of its full potential. Those looking for a departure from checklist-oriented open-world gameplay will be disappointed. The title lands as generic, risk-averse, rigid, and safe.
Metal Gear Solid Delta: Snake Eater is unequivocally the best way to play Metal Gear Solid 3 if you’re all about modern comforts and higher frame rates. But under all the modernising gloss, it’s the same silly, daft game full of world-saving babble, over-the-top performances, surprise-stuffing, and a confounding script...
RoboCop Rogue City Unfinished Business is a repetitive slog coasting on the goodwill of a venerated licensed IP to mask a deadening mix of mediocre shooting, repetitive levels, and a bland story.
Death Stranding 2 manages the rare trick of being both desperately monotonous but profoundly engaging, banking towards one of these two poles depending on how much you’re willing to put in. It’s a game that demands that you meet it half-way and shed expectations, your pace dictated by your stomach...
Elden Ring Nightreign is a multiplayer game for people who prefer single player games. It’s a celebration of the power of silent connection, of fleeting virtual bonds, of giddy celebratory gesturing between strangers, and of collective, gruelling perseverance. It's a fresh take on the steep challenge of the Souls formula...
DOOM The Dark Ages is an unrelenting parade of visceral hyperviolence that comes at your thick and fast, leaving you overstimulated and exhausted but thrilled and gratified.
Though imperfect and moored to indelible design traditions and gameplay rituals, Assassin's Creed Shadows fizzes with style, intention, and detail, curating the best parts of the series into a confident and deeply enjoyable journey through feudal Japan.
CriticDB tracks 186 Tom Bardwell reviews, averaging 78/100. See the score distribution and their highest & lowest rated games below, or browse every Tom Bardwell score in the Reviews tab.
Tom Bardwell score distribution
- 90–10049
- 80–8960
- 70–7944
- 60–6924
- 50–592
- Below 502
















