Chasm

You know the saying, that good things come to those who wait? Well, this wait for Chasm has definitely yielded an amazing fun title, that should appeal to even the more hardcore of Metroidvania games. Beautiful, lots of stuff to do and tons of items and secrets to uncover, makes Chasm the game that will keep you busy for a long time. In fact, we just might be playing it longer than it took for this gem to be released.

Symphony of the Mines.

It has been a long wait for Chasm and I am happy to report that it provides a great classic Metroidvania experience. It isn’t as obviously polished graphically as the likes of Oni or Hollow Knight, and doesn’t offer the Dark Souls stylings of Dead Cells, but it succeeds entirely on what it sets out to do. The art style is perfectly suited, the controls are responsive and focused (although I would have liked to move dodge from the Y button) and the world map is a real joy to explore, despite my worries about the procedural generation. It may not be the gamechanger that Dead Cells seems to be (h...

Chasm is a lovely and fun Metroidvania with a lot of cool new ideas, it’s just not an overly exciting one. The maps it pieces together are amusing enough to explore, filled with tons of wonderfully animated enemies to fight, but the repetitive rooms and the world’s lack of personality as a whole undermines Chasm’s own goal of replayability. As a result, Chasm is a platformer I thoroughly enjoyed playing through once, but I’m not rushing back for more.

Chasm is a good Metroidvania game. But it feels like it could have been better at certain points. A game that took five years to develop feels like it should offer more than Chasm currently does. Is that an unfair assessment? Possibly, but then maybe you should ask someone who kickstarted it if they’re happy with what they received after all these years.