Open Roads

It’s easy to say that Open Roads is cozy and simple. Truthfully, though, its simplicity is its strength… Everything you do feels personal, especially as a daughter who still has endless questions for her mother.

Open Roads is the quintessential Annapurna Interactive video game. There are prominent actors giving authentic performances in a story that’s beautifully written, there’s a unique approach to art direction, and the music is top-of-the-line. I didn’t vibe with all of the design decisions, but it’s impossible to walk away from Open Roads without feeling at least a little contemplative about your own life journey and relationships.

Open Roads is a touching love letter to grief, the breaking of generational cycles and the complexities of family relationships. Dever and Russell’s performances are at once invigorating and heart-wrenching, demonstrating a genuine passion for acting throughout the game. The interactive environment feels lived-in and authentic to the early 2000s, adding another layer of immersion to the player's experience. While the voice acting is impressive, the characters’ appearance and facial movements become repetitive around the thirty-minute mark, diminishing some of the emotional beats in the story. ...

Open Roads lacks interactivity and its art style takes some getting used to, but this is a story you'll want to see through to the end.

Open Roads often feels like a game at odds with itself, that probably would have been best served in a different genre. Whilst it starts off strong, it progressively loses what makes it good and feels more disconnected. Despite that, the two main characters have an engaging mother, daughter relationship that make the game worth playing, in no small part thanks to the excellent actresses, and their performances.

It’s a great thing that Open Roads is an incredibly short experience, because when it comes to actually playing it, there just isn’t much there. Thankfully, its story and characters do more than enough to make experiencing Open Roads worthwhile, at least once.

A gentle adventure into a family's secrets that's nicely crafted but over before it really begins.

Open Roads is a well-observed, empathetic story about families and secrets, wrapped up in some lovely art and with barnstorming voice acting performances at the heart of it. It's short but bittersweet.

Though Open Roads' characters and attention to detail are lovely, the overall experience is lessened by its brevity and lack of depth.

Open Roads, in theory, should be another Gone Home-style success story. However, what we've actually got here feels strangely by the numbers, surprisingly short and very light on actual drama, mystery or thrills that genuinely compel. At around two hours long you won't need a lot of compelling to see it through, mind you, but overall this just feels like retreading the same sort of ground with much less of an effect. There's superb acting and it all looks great, but the narrative just isn't doing it for us this time, sadly.

Things haven't been easy for Fullbright, the company that most famously produced Gone Home back in 2013, a slice of indie narrative heaven that won plaudits. After the excellent (but less virally successful) Tacoma in 2017, it's now back with another long-awaited game, Open Roads — except, in fact, the name Fullbright has been scrubbed from the final product after allegations of a toxic workplace culture sprung up a few years ago. The game's instead credited to the 'Open Roads Team'. Delays and slow progress have seen it slip years from its original release window, but the game is here at last...

A sentimental journey along well-trodden paths.