Chris McMullen
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GameSpew
The EscapistLatest Reviews
Despite that, Life Is Strange: Double Exposure is such a gripping, reality-bending adventure that the joy you’ll get out of it eclipses its late-game fumble. Max Caulfield’s return is still a welcome one, and if you know a Pricefield fan who’s about to play this, hand them a tissue for me.
Frostpunk 2 takes the already excellent original and improves on it in some suitably satisfying ways. It's an excellent city-builder, especially if you're prepared to take lessons from failure.
Autopsy Simulator is a realistic exploration of the work of a pathologist, with horror elements thrown in. But, as gorgeously gruesome as its graphics are, it's seriously held back by the amount of hand-holding, robbing you of any real decision-making.
Set in a a thoroughly unique dystopian world, 1000xRESIST is a gripping sci-fi adventure exploring weighty themes, ensuring you're thoroughly invested in your fate and that of your flawed world.
If you’ve got a creative streak and a taste for vengeance, Meet Your Maker will have you cackling, plotting and cursing well into the night. You’ll shun daylight, surrounded by an ever-growing field of 3D printed skulls, each representing in in-game kill. And at the end of the day, isn’t that what gaming’s all about?
The lack of VR features is disappointing, but Per Aspera VR is still a rewarding experience. If you want something truly immersive from your headset, this might not be for you. But if you’ve not tackled Per Aspera‘s PC incarnation and you’re a fan of hard science, you’ll have a space whale of a time making Mars your own.
Not For Broadcast’s multi-windowed interface is a little reminiscent of Night Trap, but it’s a world away from the bad FMV games of old. The icing on the cake is the way you can pore over each broadcast, listening to all the sneaky little asides you missed because you were too busy putting together an audience-acceptable show.
Ender Lilies: Quietus of the Knights‘ combat could still do with some work, not least because the animation is so gorgeous that limiting your physical attacks deprives the game of an extra dose of visual finesse. But this is still a magical outing that will have you hooked until the Blight is nothing but a bad memory.
Nevertheless, taking down my first boss was a real rush, even though I’d had to go through seven times just to accumulate the buffs I needed to win. And using your gunslingers to take out another gun-wielding enemy is fun, particularly if they’re one turn away from blasting your head off. Seeing new monsters lumber onto the screen is a treat, though occasionally foes can be hard to pick out, even if you turn on colourblind mode. In a similar vein, Othercide‘s message text is insultingly small; it’s hardly a win for accessibility.
Carrion is, for the most part, a bloody good game. It’s a real treat for horror fans and one of the most original games I’ve come across. There were so many moments that left me with a grin a mile wide, from pulling a string of victims up into the ceiling to turning a soldier against their former friends. But if you choose to wreak your own brand of horror upon Carrion‘s hapless humans, just be prepared to step away when there’s no-one left to torment.