Mark Steighner
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COGConnected Latest Reviews
Generally speaking, Styx: Blades of Greed’s move to a more open world is a good choice and plays to the title character’s strengths. Intricate level design and challenging stealth are matched by Styx’s new and returning toys. Apart from some technical misfires and my personal gripes with a few mechanics, Styx: Blades of Greed is not quite an open-armed introduction to the loveable green guy, but it should absolutely please fans of the series.
While it doesn’t have the shock value novelty of the first game, High on Life 2 makes up for it with ambitious level design, polished movement, and a more grounded, coherent narrative. All the fun of the first game’s talking guns and wicked humor remains, entertainingly voiced and paired with engaging combat and interesting environments. There are moments when High on Life 2 feels a little over-caffeinated, and it can be exhausting over long stretches. Overall, though, High on Life 2 demonstrates that the first game’s concepts and mechanics were more than one-off novelties. High on Life 2 keeps a good thing going strong.
Despite some of its frustrations and limitations, I mostly liked what Crisol: Theater of Idols is going for. The world is thoroughly conceived, impressively full of surreal detail and dark atmosphere. The game has at least one interesting combat trick to mess with, too. A sequel or big update might smooth out some rough mechanics, but as it stands, Crisol: Theater of Idols is worth a look for fans of first-person shooters or action-adventure games with puzzles, mysteries, and exploration.
Reanimal takes its cues from primal childhood trauma and the deep-seated fears that most people carry through life. It adds layers of familiar-feeling puzzles and terrifying monsters to a game that looks a lot like a Little Nightmares sibling. With the ability to play the game with another terrified human, Reanimal is all the more scary and memorable.
His past games have demonstrated that Suda51 is probably incapable of making a cookie-cutter action game. Yet underneath its misdirection of wild and crazy, that’s kind of what Romeo is a Dead Man really is. Strip away the disorienting style shifts and patchwork narrative, and you’re left with a fun but limited third-person action game with Soulslike elements. The game succeeds at stylistic surprise but at the expense of polished mechanics and satisfying coherence.
Nioh 3 is the most ambitious and densely featured entry in the series, with a vast world to explore and extremely satisfying systems and combat to master. It does for the Nioh franchise what Elden Ring did for the Dark Souls world. Nioh 3 offers a huge amount of content and flexibility. It can be immensely challenging, but there are plenty of ways and an array of tools and approaches to mitigate the difficulty. Nioh has always perched between being niche and mainstream. Nioh 3 should help this excellent series broaden its audience while appealing to long-time fans as well. Lovers of Soulslikes, Team NINJA’s games, and well-made action titles in general won’t be disappointed.
From its art style to its streamlined mechanics, Dragon Quest VII Reimagined takes a classic and makes it feel fresh. A cast of engaging characters, sparkling voice work, and combat that can be tailor-made, Dragon Quest VII Reimagined is a substantial game that almost never wastes your time. Ardent fans of the original might be skeptical, but it’s hard to imagine fans of classic JRPGs not enjoying this thoroughly engaging journey.
For a free-to-play game, Arknights: Endfield offers a wealth of well-made content. The factory building, tower defense mechanics, exploration, and team-based combat elements offer engaging hours of play, certainly worth the price of admission for fans of those genres. Mid to late game, Arknight: Endfield loses a bit of luster, devolving into more tedious gacha mechanics and not evolving its systems enough to keep the fun going for more casual players.
Avatar: Frontiers of Pandora From the Ashes is an excellent return to the world of Pandora, and addresses many of the original game’s minor faults. The new third-person mode makes the game feel brand new. Better pacing, more streamlined progression, and a darker narrative combine with effective combat and exploration. Players who enjoyed the original will want to pick up this DLC, and even if they don’t, the third-person mode carries over to the base game. Avatar: Frontiers of Pandora From the Ashes made my return to Pandora a pleasure.
If you can temper your expectations and have an impressive tolerance for jank and lack of polish, Of Ash and Steel might have something to offer. The world is sort of interesting, even if the stuff you need to do in it is rarely as fun as it should be. The main character goes through the game sort of annoyed and bewildered. So did I.