Death Stranding Reviews
Check out Death Stranding Review Scores from trusted Critics below. With 33 reviews on CriticDB, Death Stranding has a score of:
With a few of its existing rough edges smoothed out, Death Stranding Director’s Cut manages to be a more approachable experience than its previous incarnation, and for those coming back to it, there’s just enough new to warrant a second journey across America.
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While the new features and missions are nice, the world around us has made Death Stranding better.
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Death Stranding is filled with things that must be seen, a sprawling, genre-spanning sci-fi adventure from a developer like no other. Its tackier clumps of writing and stunt casting seem overwrought, but its direction and its stars shine brightest
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Think of a controversial game. Chances are, one of the first few you’re likely to name is Death Stranding. Mysterious since it’s initial reveal, not everyone was on board with what Kojima Productions went for in the final game. I loved it, and as a group COGconnected ended up naming it Game of the Year in 2019. Now, Death Stranding is on PC, published by 505 Games. Not only does the game hold up, it’s arguably more impactful than it was on release.
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Less than a year ago, Hideo Kojima’s mysterious game Death Stranding was released exclusively on Playstation 4. Leo initially reviewed the game shortly after launch, giving it a respectable seven out of ten. He praised the game’s amazing graphics, some of its sound design, and ideas it presents, saying that, in the end, “Death Stranding is a game that doesn’t feature big issues that completely ruin it, but it’s absolutely packed with a ton of small inconveniences that weigh it down ...
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Death Stranding is a transformative experience that transcends genres to convey a message everyone must hear: we are stronger together and weaker apart.
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Hideo Kojima's weird post-apocalyptic delivery sim finally comes to PC.
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Death Stranding is an excellent game with a lot of content and a ton of unique angles. The story is straight-up dumb a lot of the time and things can get tedious and clunky, but the thrill of exploration and making your own way overcomes all obstacles. Just like. Ugh. Sam Porter Bridges.
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If you do manage to hold out, you will be rewarded with flashes of brilliance, it’s just that those flashes are buried as deep as the core story is buried in the endless dialogue. And as profound as it wants to be, this is still a game in which you can equip and unequip your penis so you can p**s out Red Bull. The good stuff is waiting for you beyond that p**s, beyond the s**t grenades, beyond that Ride with Norman Reedus advert unceremoniously plastered into a game universe where I didn’t see a single television set. It’s just...
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Death Stranding is an interesting look at what makes a game a game, and not much else.
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Despite everything though, I’m glad I played Death Stranding. I think. It whittled me down for the reasons above, as well as its many pointless short cutscenes for things like entering your private room and taking a shower. Even its menus are tiresome and convoluted. Yet, I have to give credit to Hideo Kojima for trying to make something different. For me it didn’t pay off, but I did feel there were moments of brilliance here and there. Death Stranding is an ambitious game, but it’s also one that’s self-indulgent and overwrought. With better pacing and the excising of some...
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Death Stranding might not go down as my favorite game ever made by Hideo Kojima, but it's very likely his most inventive and unique to date, which says a lot. If video games as a medium are ever going to progress past where they are right now, we need more games like Death Stranding that are going to take chances and try out new ideas. Not everything that Death Stranding sets out to accomplish works, but it stands firm in its vision all the same and as such, is worthy of admiration.
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Death Stranding might be the most unique AAA game of the generation, with an addictive core gameplay loop that manages to combine a new concept with tried-and-true design philosophies, and a story that - while messy - has a sweet emotional core that’s likely to stick with players long after the credits roll.
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Death Stranding is not the overly-strange inaccessible walled garden the marketing has made it out to be. It’s weird, don’t get me wrong! But anyone with a surface-level understanding of surrealism in art should be able to acclimate to what is essentially a playable Hollywood production.
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After a long and very confusing marketing campaign, Death Stranding is finally in the world’s hands. It marks the first game Hideo Kojima has helped to make under the ugly divorce from Konami and the founding of Kojima Productions. It boasts some big names, wild concepts and quite a big production for what’s technically an indie studio. Is it just an all for show ‘Hideo Kojima and his friends‘ project or does it actually have something special about it? I’ve spent near forty hours w...
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In Marvel’s Spider-Man, the high-profile PlayStation 4 exclusive that launched in the second half of last year, upgrading Spidey allowed him to leap effortlessly across entire skyscrapers in Midtown Manhattan.
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Death Stranding's core gameplay mechanics will not appeal to everyone. What I found to be dull and monotonous at times, others will find relaxing and rewarding. It's rare for a game with such a big push, such a huge marketing presence, to be so niche in its design. However, if you have the patience to trudge through this long journey, you won't be disappointed.
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The general consensus is that Kojima crafted an intriguing world with heavy-handed commentary but its sometimes exhausting and tedious gameplay can be a stepping stone to its enjoyment. The majority of reviews are positive and even those with major critiques still gave the game a decent score. So if you’re hyped up about this game, then it’s likely that you won’t be buying a piece of trash when it comes out on November 8th.
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Kojima’s mysterious would be epic has its moments but can’t carry the weight of expectation.
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A work of unbridled ambition and imagination but also a pretentious, contrived, and frequently quite dull gameplay experience – Death Stranding is peak Hideo Kojima.
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Death Stranding is a cerebral experience that isn’t fun. It’s a 45-hour monotonous slog that backloads everything engaging into the final act. Mission after mission we are mistreated to same old delivery formula, with a couple of fetch quests thrown in for good measure. It just doesn’t respect your time; where a game such as Red Dead Redemption 2 is dense with content, Death Stranding is void of anything to do outside of going from point A to point B. I sound harsh, but this isn’t a bad game as there is something here after you dig through all the...
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Certain landmark games in recent years, like The Legend of Zelda: Breath of the Wild and Red Dead Redemption 2, have managed to successfully tread the line between the rigidity of realism and the exhilaration of pure escapism. But much like its stumbling protagonist, Death Stranding just can’t consistently get the balance right despite possessing equally lofty ambitions and countless inventive ideas. There is a fascinating, fleshed-out world of supernatural science fiction to enjoy across its sprawling and spectacular map, so it’s a real shame that it’s all been saddled on a gameplay backbone that struggles to adequately support its...
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Death Stranding is like nothing I have ever played; beautiful, heart racing, heart breaking, frustrating, epic, stunning, and utterly nuts. I laughed, I cried, I cursed, and I went to the toilet an awful lot. Death Stranding isn't just my Game of the Year, it's a contender for Game of the Generation too.
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Hideo Kojima has fully weaponized the walking simulator, writing a love letter to the delivery service workers of our shipping and handling world. Death Stranding is about ending isolation, and does it so gracefully that I can't imagine it being done better than it's done here.
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Death Stranding is an anomaly in the video game industry. With AAA studios firmly entrenched, we seldom get to see a brand new studio like Kojima Productions get a blockbuster budget, A-list celebrity casting, and the backing of Sony for their first title. Of course, Hideo Kojima isn’t just any developer. He’s been involved in developing some of the most-lauded games in history throughout his 34-year career and is one of the most recognizable personalities in our industry. Death Stranding marks not only the new studio’s first production but also Kojima’s first game post-Konami.
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There’s been much ado about Death Stranding. You’ve seen all the trailers, the bits of information about the gameplay, the star-studded cast. There’s even that World Strand Tour going on, not forgetting the PC release. For most of you, the game is just another week off, before your tantalizing dip into this world crafted by Hideo Kojima. What awaits you in this BT-filled world, as you step into the shoes of Sam Porter Bridges? Read on for our Death Stranding review.
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It took me 3222 minutes to finish Death Stranding. That was fifty hours of enchantment with slight shades of consternation. But all the while, I felt that Hideo created something that defies all the traditional rules of electronic entertainment.
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“Death Stranding is a technical marvel with an excellent, though slow, story.”
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It took me 3222 minutes to finish Death Stranding. I was charmed by most of them and baffled by some of them. In each of them, however, I was convinced that Kojima had designed an experience that went beyond the category of previously known entertainment.
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I promise Death Stranding makes sense eventually. It certainly has elements that are weird and out there, but underneath all the dead sea life and ghostly figures with an affinity for black tar, there is a strong and stable narrative that threads each and every moment in the game. The world’s been divided and fragmented by a horrific event known as the Death Stranding, something that effectively thinned the veil between our world and what lies just beyond. Sam “Porter” Bridges is someone with a unique ability to sense the BTs; the dangerous apparitions that fill the distances between fractured...
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